The Printings of the 6d Lilac and Mauve Queen Victoria Keyplate Stamp of Lagos - Part One
This is another denomination, that due to the postage rates, should have seen fairly consistent use, so it is quite possible that there may have been almost as many printings of this value as some of the other lower denominations. My initial sort of this, two years ago gave close to 40 printings, which over 54 calendar quarters is almost one per quarter, with some quarters not having any sendings. There are a fair number of shade variations, both of the head plate and the duty plate, which makes sorting the printings much easier than a value like the 4d.
Today's post will look at the printings from the first state of the plate.
Group 1 - Printings 1-10 From The First State of the Plate (Approximately March 1887 to December 1890)
In this first group, the key characteristic is the completeness of the detail in the Queen's hair, both at the top of the head, where the lines are clear, separate and distinct, and in the hair at the back of the head, which shows clear detail, both above and below the diagonal ribbon. In this group there are plenty of shades, and there is a lovely example of the broken "S" in "Sixpence", which I encountered in earlier printings of the 6d, which proves that it is a constant flaw.
For some strange reason, this printing is the one that I seem to have the largest number of examples of. I have ten mint examples as shown in the above scan, and three used examples as shown in the scan below:
The head plate colour of this printing is a closer match to the deep dull purple, on the Gibbons colour key, but again, it is a little redder, though not as red as the first printing. The duty plate colour is closest to Gibbons maroon, but is a bit paler.
Curiously, the used examples above are all dated between April 1897 and November 1899 - well past the time that this stamp would have been current. This suggests that many of these might have been buried under supplies of more recent printings at the post offices in which they were sold, with the result that they did not see postal use until many years after they were issued.
The mint stamp at the lower left above shows the "broken S in Sixpence", which is a constant flaw, in which there is a small nick in the bottom of the "S". An enlarged scan of this is shown below.
For this printing, I only have two used examples, which are both cancelled with strikes of an 8-bar oval obliterator, as shown above. The head plate shade is closest to Gibbons's slate lilac, being almost an exact match, while the duty plate colour is very close to Gibbons' dull claret, with this colour being slightly deeper, but the same overall tone.
This printing is very similar to the fourth printing. The head plate colour is basically the same as the fourth printing, being a blend of the slate lilac and the reddish lilac. But the duty plate colour is closest to Gibbons's plum shade. It illustrates quite nicely, the subtle difference between Gibbons deep purple and Gibbons plum - two colours that look almost the same. The difference is that deep purple contains just a touch more blue, and plum contains just a touch more red. I have two int examples, shown above, two used examples shown above and a block of 4 from the left side of the sheet as shown below:
The colours of this printing are very similar to the fifth printing above, but the duty plate colour is a deeper shade of plum to the fifth printing. This is another printing for which I have only mint examples - three of them to be exact, all of which are shown above.